Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    649 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    255 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 777 matching records exist across the two collections.

Results for "Design for Proscenium for Hershey Commun"12 records

Institutions answered newest-first by record, interleaved

Design for a Proscenium or Alcove by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Proscenium or Alcove

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
Design for a Proscenium or Monumental Alcove by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Proscenium or Monumental Alcove

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and dark brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage by Philippe de La Guêpière, The Metropolitan Museum of Art

Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage

Philippe de La Guêpière (d. 1773)

18th century · Pen and black ink and gray wash

Cleared · Public Domain

live
The MetSimilar
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and black ink, brush with gray, brown and pink wash, over leadpoint or graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Stage Set Representing the Palace of Perseus, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Stage Set Representing the Prison of Amadis, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with the Design for a Stage Set, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Elevation, Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Suggestion for Fixtures, the Hershey Community Theatre," Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Ceiling, Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Proscenium for Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964

Charles Eames (d. 1978)

1964 · Wood, metal, paint, printed paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.