
Design for a Proscenium or Alcove
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
649 ms. The Metropolitan Museum of Art, Collection API (Open Access)
255 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 777 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Proscenium or Alcove
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, over black chalk
Cleared · Public Domain
live
Design for a Proscenium or Monumental Alcove
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and dark brown ink, over black chalk
Cleared · Public Domain
live
Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage
Philippe de La Guêpière (d. 1773)
18th century · Pen and black ink and gray wash
Cleared · Public Domain
live
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and black ink, brush with gray, brown and pink wash, over leadpoint or graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set Representing the Palace of Perseus, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set Representing the Prison of Amadis, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Plate with the Design for a Stage Set, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Elevation, Hershey Community Theatre, Hershey, Pennsylvania
Louis C. Tiffany (d. 1933)
ca. 1915 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Suggestion for Fixtures, the Hershey Community Theatre," Hershey, Pennsylvania
Louis C. Tiffany (d. 1933)
ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Ceiling, Hershey Community Theatre, Hershey, Pennsylvania
Louis C. Tiffany (d. 1933)
ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Proscenium for Hershey Community Theatre, Hershey, Pennsylvania
Louis C. Tiffany (d. 1933)
ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964
Charles Eames (d. 1978)
1964 · Wood, metal, paint, printed paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.