Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    148 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Design for Salon Ceiling, Copped Hall, E"9 records

Institutions answered newest-first by record, interleaved

Design for the Tomb of Pope Julius II della Rovere by Michelangelo Buonarroti, The Metropolitan Museum of Art

Design for the Tomb of Pope Julius II della Rovere

Michelangelo Buonarroti (d. 1564)

1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt by Giovanni Lanfranco, The Metropolitan Museum of Art

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt

Giovanni Lanfranco (d. 1647)

1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines

Cleared · Public Domain

live
The MetSimilar
Leaf from Aedes Walpolianae mounted with two drawings: (a): Salon Chimney, Houghton Hall, Norfolk, Elevation; (b): Salon Ceiling, Houghton Hall, Norfolk by Isaac Ware, The Metropolitan Museum of Art

Leaf from Aedes Walpolianae mounted with two drawings: (a): Salon Chimney, Houghton Hall, Norfolk, Elevation; (b): Salon Ceiling, Houghton Hall, Norfolk

Isaac Ware (d. 1766)

1735 · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Salon Ceiling, Houghton Hall, Norfolk by Isaac Ware, The Metropolitan Museum of Art

Salon Ceiling, Houghton Hall, Norfolk

Isaac Ware (d. 1766)

1735 · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Mantel clock (pendule de chiminée) by Paul Gudin Le Jeune, The Metropolitan Museum of Art

Mantel clock (pendule de chiminée)

Paul Gudin Le Jeune (d. 1755)

clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Marble-top table by Theophil Hansen, The Metropolitan Museum of Art

Marble-top table

Theophil Hansen (d. 1891)

ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze

Cleared · Public Domain

live
The MetSimilar
Tiepolo Ceiling, Milan by John Singer Sargent, The Metropolitan Museum of Art

Tiepolo Ceiling, Milan

John Singer Sargent (d. 1925)

ca. 1898–1900 · Watercolor and graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Library Ceiling, Copped Hall, Essex

James Wyatt (d. 1813)

1775 · Pen and ink, brush and wash, watercolor, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Salon Ceiling, Copped Hall, Essex

James Wyatt (d. 1813)

1775 · Pen and ink, brush and wash, watercolor, over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.