
Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms
Hans Jakob Plepp (d. 1597)
ca. 1570–80 · Pen and black ink and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
358 ms. The Metropolitan Museum of Art, Collection API (Open Access)
426 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 267 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms
Hans Jakob Plepp (d. 1597)
ca. 1570–80 · Pen and black ink and gray wash
Cleared · Public Domain
live
Design for a Stained Glass Window
Christoph Murer (d. 1614)
1608 · Pen and black ink, gray and light brown-gray wash
Cleared · Public Domain
live
Design for a Stained Glass Window
Rodolphe Bresdin (d. 1885)
1885 · Brush and colored washes reworked with colored pencils
Cleared · Public Domain
live
Design for a stained glass window
Alexander Gibbs (d. 1886)
1866–92 · Watercolor, pen and brown ink, over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stained-Glass Window
Hélène Forichon (d. 1989)
1915 · Graphite, black ink, gouache, and watercolor on wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel Playing a Lute: Design for a Stained Glass Window
D. Maitland Armstrong (d. 1918)
1890–1918 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Gabriel: Design for a Stained Glass Window
D. Maitland Armstrong (d. 1918)
1890–1918 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled object 919245
Thomas Wright (d. 1918)
1881–1918 · Graphite and watercolor on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veritas: Design for a Memorial Stained Glass Window
D. Maitland Armstrong (d. 1918)
1890–1918 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stained Glass Window
John Dibblee Crace (d. 1919)
mid-19th–early 20th century · Pen and black ink, watercolor over graphite with touches of gilt
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a stained glass window
Louis C. Tiffany (d. 1933)
late 19th–early 20th century
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a stained glass window
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Watercolor, pen and black India ink, graphite and collage on wove paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.