
Design for a Screen
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and brown ink over graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
174 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,059 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Screen
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and brown ink over graphite
Cleared · Public Domain
live
Design for Screen
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and ink, brush and wash, over graphite
Cleared · Public Domain
live
Design for Standing Screen
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and black ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Iron Screen
Ernest Geldart (d. 1929)
1902 · Watercolor, pen and black ink over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Handheld Fire Screen (Fan)
Hélène Forichon (d. 1989)
1915 · Graphite and watercolor on wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Standing Clock
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk, pen and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for curtain (folding screen)
Erté (Romain de Tirtoff) (d. 1990)
1924 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for choir screen
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Charcoal, crayon, and graphite on paper mounted on board.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for glass screen
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Watercolor, black ink, and graphite on paper mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Screen
Eileen Gray (d. 1976)
ca. 1922–25 · Lacquered wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Basic Screen
Dan Friedman (d. 1995)
1981 · Medium-density fiberboard, paint, casters
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.