
Design for the Verso of a Pendant with Three Large Flowers
Jan Collaert I (d. 1581)
before 1573 · Engraving; second state of three (New Hollstein)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
481 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,980 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for the Verso of a Pendant with Three Large Flowers
Jan Collaert I (d. 1581)
before 1573 · Engraving; second state of three (New Hollstein)
Cleared · Public Domain
live
Design for "The Three Captains Memorial"
Joseph Nollekens (d. 1823)
ca. 1784 · Watercolor over graphite, surrounded by a gold line, on paper backed by canvas (stretched on modern wooden frame)
Cleared · Public Domain
live
Design for Three Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown ink, watercolor, and graphite
Cleared · Public Domain
live
Design for Three Clocks
Anonymous, French, 18th century (d. 1800)
Late 18th century · Graphite
Cleared · Public Domain
live
Design for Three Sets of Gray Curtains , with Gray and Gold Pediments
Anonymous, British, 19th century (d. 1900)
early 19th century · Pen and ink, brush and wash, watercolor
Cleared · Public Domain
live
Design for Three Sets of Shelves
Anonymous, British, 19th century (d. 1900)
early 19th century · Pen and ink, brush and wash
Cleared · Public Domain
live
Design for Three Sets of Shelves on Casters
Anonymous, British, 19th century (d. 1900)
early 19th century · Pen and ink, brush and wash
Cleared · Public Domain
live
Design for a Mirrored Cabinet and a Set of Corner Shelves
Anonymous, British, 19th century (d. 1900)
19th century · Pen and ink, watercolor and gouache (bodycolor)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a side table with shelves
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a side table with shelves
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a writing desk with drawers and shelves
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled object 919235
Thomas Wright (d. 1918)
1881–1918 · Graphite and watercolor on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.