Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    205 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 262 matching records exist across the two collections.

Results for "Design for Tools Relating to the Mainten"12 records

Institutions answered newest-first by record, interleaved

Inlay with a sema tawy design by an unrecorded maker, The Metropolitan Museum of Art

Inlay with a sema tawy design

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Design for a Frescoed Altarpiece of The Resurrection by Maso da San Friano (Tommaso Manzuoli), The Metropolitan Museum of Art

Design for a Frescoed Altarpiece of The Resurrection

Maso da San Friano (Tommaso Manzuoli) (d. 1571)

ca. 1560–71 · Pen and dark brown ink, brush and gray-brown wash, highlighted with white gouache, over black chalk, and compass-constructed architecture, on blue paper

Cleared · Public Domain

live
The MetSimilar
Design for Tools Relating to the Maintenance of Fire Arms by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for Tools Relating to the Maintenance of Fire Arms

Anonymous, Italian, 16th century (d. 1600)

1580–1620 · Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs.

Cleared · Public Domain

live
The MetSimilar
Architectural Design for a Façade by Ferenc (Franz) Speth, The Metropolitan Museum of Art

Architectural Design for a Façade

Ferenc (Franz) Speth (d. 1769)

1739–69 · Watercolor and pen and black ink

Cleared · Public Domain

live
The MetSimilar
Design for a Panel with a Large Bundle of Flowers and Leaves and a Hanging Thin Bundle Containing Gardening Tools Inside an Ornamental Frame Decorated with Thin Garlands of Flowers and Leaves by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Panel with a Large Bundle of Flowers and Leaves and a Hanging Thin Bundle Containing Gardening Tools Inside an Ornamental Frame Decorated with Thin Garlands of Flowers and Leaves

Anonymous, French, 19th century (d. 1900)

1870–1900 (?) · Watercolor and Gouache

Cleared · Public Domain

live
The MetSimilar
Design for a Valance in the Style of Louis XVI with Bushes and Garlands of Flowers and Containing Two Decorative Bunches of Leaves, Fruits and Flowers Holding Gardening Utensils and a Straw Hat by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Valance in the Style of Louis XVI with Bushes and Garlands of Flowers and Containing Two Decorative Bunches of Leaves, Fruits and Flowers Holding Gardening Utensils and a Straw Hat

Anonymous, French, 19th century (d. 1900)

1870–1900 (?) · Watercolor

Cleared · Public Domain

live
The MetSimilar
Design for a Valance with Bundles and Garlands of Flowers and Leaves Decorated with Gardening Tools upon which Small Birds Rest by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Valance with Bundles and Garlands of Flowers and Leaves Decorated with Gardening Tools upon which Small Birds Rest

Anonymous, French, 19th century (d. 1900)

1870–1900 (?) · Watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Earth: Title page Design for Hexaedron Chapter in Perspectiva Corporum Regularium

Jost Amman (d. 1591)

1568 (or after) · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Textile (?) with Trophy, "Le jardinage"

Anonymous, French, 18th century (d. 1800)

18th century · Watercolor and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a caricature relating to Napoleon's invasion of Russia

Ivan Terebenev (d. 1815)

early 19th century · Pen and brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Pendant with a Gardening Trophy and a Ribbon Bow Motif

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the stone for plate 7 of the Mayan book, the 'Popol-vuh'

Carlos Mérida (d. 1984)

ca. 1943 · Pen on tracing paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.