A painting can be out of copyright and thephotograph of it can still be protected.

Design for Cartouches Decorated with Sea-Shells, Garlands, Foliage, Volutes and Urns

Agostino (Stanzani) Mitelli (d. 1660)

1609–60 · Leadpoint

The Cassollette: Women Supporting an Urn

Marco Dente (d. 1527)

c. 1520–27 · Print, engraving

Design for a Balustrade with Female Figures and Urns

Giulio Parigi (d. 1635)

16th–17th century · Pen and brown ink, brush and brown wash and pink watercolor, over graphite and ruled construction

Design for a Covered Urn with Two Eagles

Anonymous, French, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown and black wash

Ornamental Design with Two Urns and a Trophy

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with gray and brown wash, overlead point or black chalk, with some ruled construction; framing outlines in pen and brown ink

Design for a Frieze with Two Women Flanking an Urn

Giuseppe Cades (d. 1799)

ca. 1775–85 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk

Design for Two Urns

Anonymous, French, 18th century (d. 1800)

ca. 1770–90 · Pen and brown ink, graphite

Designs for Two Urns

Etienne de Lavallée-Poussin (d. 1793)

1802 · Pen and black ink with brush and brown wash over graphite underdrawing

Design for an urn (verso); Designs for two urns (recto)

Anonymous, French, 19th century (d. 1900)

19th century · Black chalk

Designs for Two Candelabras and Two Urns

Anonymous, French, 19th century (d. 1900)

19th century · Pen and brown ink

Design for two bracelets

Felix Duval (d. 1900)

ca. 1850–70 · Watercolor and gouache, gold pigment, over graphite

Design for two Gold Earrings

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment