Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown ink, watercolor, and black chalk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
212 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
347 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,530 matching records exist across the two collections.
Results for "Design for Two Vases, Two Coats of Arms,"12 records
Institutions answered newest-first by record, interleaved
Design for Two Vases, Two Coats of Arms, and a Bull (recto) Several Line Borders (verso)
Luzio Romano
mid 1500s · Drawing, pen and brown ink and brush and gray and brown wash over black chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown and gray ink, watercolor, and black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for Two Vases, Two Coats of Arms, and a Bull (recto)
Luzio Romano
mid 1500s · Drawing, pen and brown ink and brush and gray and brown wash over black chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and gray and brown ink, and watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown ink, black chalk, and watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown ink, black chalk, and watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown ink, black chalk, and watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for Two Vases
Anonymous, French, 18th century (d. 1800)
ca. 1770–85 · Pen and brown ink, watercolor, and graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five Basic Shapes for Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five Coats of Arms and a Horizontal Panel; Three Basic Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Six Basic Shapes for Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.