
Design for a Monument with Minerva?
Anonymous, Spanish, 16th century (d. 1600)
16th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
304 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22,555 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Monument with Minerva?
Anonymous, Spanish, 16th century (d. 1600)
16th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Study of Honoré de Balzac
Auguste Rodin (d. 1917)
1891–1892 · Sculpture, bronze
Cleared · CC0
live
Design for a monument (recto); Architectural sketches (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, brown wash, over black chalk or graphite (recto); black chalk or graphite, locally strengthened with pen and brown ink (verso)
Cleared · Public Domain
live
Medal Depicting Gian Lorenzo Bernini (1598-1680) from the Illustrious Men of the Kingdom of the Two Sicilies
V. Catenacci
1830–34 · Metalwork, bronze
Cleared · CC0
live
Design for a sepulchral monument (recto); Design for a monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso)
Cleared · Public Domain
live
Medal Depicting Gian Lorenzo Bernini (1598-1680) from the Illustrious Men of the Kingdom of the Two Sicilies (reverse)
Unrecorded maker
1830–34 · Metalwork, bronze
Cleared · CC0
live
Design for a Monument to a Military Leader
Gilles-Marie Oppenord (d. 1742)
ca. 1690–1740 · Pen and dark brown ink, brush and gray wash. Framing lines in pen and gray and brown ink
Cleared · Public Domain
live
Medal Depicting Gian Lorenzo Bernini (1598-1680) from the Illustrious Men of the Kingdom of the Two Sicilies (obverse)
V. Catenacci
1830–34 · Metalwork, bronze
Cleared · CC0
live
Design for a Monument
Gabriel de Saint-Aubin (d. 1780)
18th century · Pen and brown ink, brush and brown wash, heightened with white over black chalk
Cleared · Public Domain
live
Design for a monument
Anonymous, French, 18th century (d. 1800)
18th century · Pen and ink, wash
Cleared · Public Domain
live
Design for a Monument
Pietro Fancelli (d. 1850)
1764–1850 · Pen, brown ink with brown, blue-green, purple and yellowish washes
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a monument
Anonymous, Italian, 19th century (d. 1900)
1800 · Pen and ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.