Design for Door Knocker
Etienne Delaune (d. 1583)
16th century · Pen and brown ink, brush and brown wash, with graphite underdrawing
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
727 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 877 matching records exist across the two collections.
Results for "Design for a Cartouche Surmounted by a L"12 records
Institutions answered newest-first by record, interleaved
Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century (d. 1600)
1580–1620 · Red chalk and leadpoint
Cleared · Public Domain
liveThe MetSimilar
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Anonymous, Italian, 16th to 17th century (d. 1700)
16th–17th century · Pen and brown ink, brush and brown wash, over black chalk underdrawing
Cleared · Public Domain
liveThe MetSimilar
Design for a Frontispiece Surmounted by the Sacred Monogram IHS
François Boucher (d. 1770)
1770 · Pen and black ink, brush and gray wash
Cleared · Public Domain
liveThe MetSimilar
Design for an Arch Surmounted by a Cartouche with a Ducal Crown
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush with gray and brown wash, over leadpoint; scale, upper edge of the design, in pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Design for Colossal Triumphal Arch Surmounted by a Quadriga
Jean Charles Delafosse (d. 1789)
18th century · Pen and black ink, brush and gray, blue and brown wash over graphite underdrawing
Cleared · Public Domain
liveThe MetSimilar
Design for a Double Cartouche flanked by Satyrs (Frontispiece?)
Anonymous, Italian, Venetian, 18th century (d. 1800)
18th century · Pen and ink and gray wash
Cleared · Public Domain
liveThe MetSimilar
Design for a Cartouche Surmounted by a Lion's Head in Scrollwork Suspending Swags of Fruit and Leaves
Carlo Bianconi (d. 1802)
1752–1802 · Black chalk and leadpoint
Cleared · Public Domain
liveThe MetSimilar
Design for a Mirror Surmounted by a Vase
John Yenn (d. 1821)
late 18th–early 19th century · Pen and ink, brush and wash, watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for a Monogram Surmounted by a Crown
Charles Monblond (d. 1900)
19th century · Pen and black ink
Cleared · Public Domain
liveThe MetSimilar
Design for an altar table surmounted by a crucifixion
Jules-Edmond-Charles Lachaise (d. 1897)
second half 19th century · Pen and ink, watercolor, and gold paint on wove paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Piano
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk, pen and black ink
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.