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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    889 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    394 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17,776 matching records exist across the two collections.

Results for "Design for a Cartouche with a Violin and"12 records

Institutions answered newest-first by record, interleaved

Violin by Nicolò Amati (Cremona 1596–1684 Cremona), The Metropolitan Museum of Art

Violin

Nicolò Amati (Cremona 1596–1684 Cremona)

1669 · Spruce, maple

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche with a Variant by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Cartouche with a Variant

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over graphite ruled construction

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche by Anonymous, Italian, 17th or 18th century, The Metropolitan Museum of Art

Design for a Cartouche

Anonymous, Italian, 17th or 18th century (d. 1799)

17th–18th century · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Cartouche

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen and brown ink, brush and brown wash, over black chalk, with traces of red chalk

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche with a Lion's Head and Nimbus by Carlo Bianconi, The Metropolitan Museum of Art

Design for a Cartouche with a Lion's Head and Nimbus

Carlo Bianconi (d. 1802)

1752–1802 · Pen and brown ink, brush and green wash; framing lines in gray-green ink

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche with a Variant by Carlo Bianconi, The Metropolitan Museum of Art

Design for a Cartouche with a Variant

Carlo Bianconi (d. 1802)

1752–1802 · Pen and black ink

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche with Hanging Garlands by Carlo Bianconi, The Metropolitan Museum of Art

Design for a Cartouche with Hanging Garlands

Carlo Bianconi (d. 1802)

1752–1802 · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Design for a Rococo Cartouche with Putti and Monkeys by Clément Pierre Marillier, The Metropolitan Museum of Art

Design for a Rococo Cartouche with Putti and Monkeys

Clément Pierre Marillier (d. 1808)

1808 · Pen and black ink with brush and gray wash over black chalk underdrawing

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche with a Violin and Scrolls by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Cartouche with a Violin and Scrolls

Anonymous, French, 19th century (d. 1900)

early 19th century · Brush and brown wash over pen and ink

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Electric Violin

Victor A. Pfeil (d. 1978)

ca. 1932 · Painted wood

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Electric Violin

Rickenbacker, Inc.

ca. 1938 · Aluminum, maple, ebony

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Cartouche

Nicholas Baily

n.d. · Pen and gray ink, brush and gray wash, gouache and gold leaf

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.