
Panel from a Ceiling
Unrecorded maker
14th–15th century · Wood; mortised, tenoned, mitered, rabbeted, and painted
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
331 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 498 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Panel from a Ceiling
Unrecorded maker
14th–15th century · Wood; mortised, tenoned, mitered, rabbeted, and painted
Cleared · Public Domain
live
Design for a Ceiling Decoration with Chinoiserie Scenes
Anonymous, Italian, 18th century (d. 1800)
ca. 1720–60 · Watercolor
Cleared · Public Domain
live
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset
Sir William Chambers (d. 1796)
1770–74 · Graphite
Cleared · Public Domain
live
Design for a Dining-room Ceiling at Kelmarsh Hall, Northamptonshire
James Wyatt (d. 1813)
ca. 1770 · Pen and ink, watercolor, over graphite
Cleared · Public Domain
live
Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire
Robert Adam (d. 1792)
1779–82 · Pen and ink, brush and green wash and watercolor
Cleared · Public Domain
live
Design for the Ceiling of a Bedchamber at Goodwood House, Sussex
James Wyatt (d. 1813)
ca. 1800 · Pen and ink, watercolor, over graphite
Cleared · Public Domain
live
Design for a Ceiling at Théatre Français, Paris
Aimé Chenavard (d. 1838)
1810–38 · Pen and black ink, gouache, gold gilt, over graphite
Cleared · Public Domain
live
Islamic Ceiling Design for Deepdene, Dorking, Surrey
Jules-Edmond-Charles Lachaise (d. 1897)
1875 · Graphite, pen and black ink, watercolor and gouache
Cleared · Public Domain
live
Design for Domed Ceiling for Mme Païva's Chateau at Neudeck
Jules-Edmond-Charles Lachaise (d. 1897)
ca. 1877–84 · Pen and black and gray ink, watercolor, gouache
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914
Léon Bakst (d. 1924)
ca. 1914 · Gouache and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Ceiling, Hershey Community Theatre, Hershey, Pennsylvania
Louis C. Tiffany (d. 1933)
ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stage design for monastery scene for a Maurice Maeterlinck play at Pitoëff Theatre, Paris
Boris Solotareff (d. 1966)
1910–66 · Oil paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.