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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    462 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 608 matching records exist across the two collections.

Results for "Design for a Chalice (recto)"12 records

Institutions answered newest-first by record, interleaved

Design for a Cassone (recto); Design for a Tomb (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Cassone (recto); Design for a Tomb (verso)

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–60 · Pen and brown ink, brush and gray-brown wash

Cleared · Public Domain

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The MetSimilar
Design for a Chalice (recto) by Luzio Romano, The Cleveland Museum of Art

Design for a Chalice (recto)

Luzio Romano

mid-1500s · Drawing, Black chalk, pen and brown ink, and brown wash, over black chalk, on laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Chalice by Anonymous, Netherlandish, late 16th century, The Metropolitan Museum of Art

Design for a Chalice

Anonymous, Netherlandish, late 16th century (d. 1600)

16th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Design for a Chalice (recto) Architectural Plan (verso) by Luzio Romano, The Cleveland Museum of Art

Design for a Chalice (recto) Architectural Plan (verso)

Luzio Romano

mid-1500s · Drawing, pen and brown ink and brush and brown wash over black chalk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Chalice Surmounted by a Maltese Cross by Anonymous, Italian, Florentine, second half of the 16th century, The Metropolitan Museum of Art

Design for a Chalice Surmounted by a Maltese Cross

Anonymous, Italian, Florentine, second half of the 16th century (d. 1600)

1580–1620 · Red chalk and leadpoint

Cleared · Public Domain

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The MetSimilar
Christ Holding a Chalice and Cross (recto); Resurrected Christ and Lamb of God (verso) by Alonso Cano, The Cleveland Museum of Art

Christ Holding a Chalice and Cross (recto); Resurrected Christ and Lamb of God (verso)

Alonso Cano (d. 1667)

1666 · Drawing, pen and brown ink and brush and brown wash

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Chalice (recto); Design for the Base of a Vase (verso) by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Chalice (recto); Design for the Base of a Vase (verso)

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Chalice with Acanthus and Shell Decoration by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Chalice with Acanthus and Shell Decoration

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for a Lectern (recto); Design for a Cartouche (verso)
. by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Lectern (recto); Design for a Cartouche (verso) .

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); pen and brown ink and black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Chalice for the Coronation of Napoleon I by Charles Percier, The Metropolitan Museum of Art

Chalice for the Coronation of Napoleon I

Charles Percier (d. 1838)

1804 · Graphite, pen and brown ink, brush and gray and reddish-brown wash

Cleared · Public Domain

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The MetSimilar
Design for a Chalice by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Chalice

Anonymous, French, 19th century (d. 1900)

1855 · Pen and black ink, brush and blue wash, heightened with white, over graphite

Cleared · Public Domain

live
The MetSimilar
Design for a Chalice with Lid by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Chalice with Lid

Anonymous, French, 19th century (d. 1900)

19th century · Pen and brown ink, watercolor. Framing lines in pen and gray ink. Design pasted onto mounting paper.

Cleared · Public Domain

live
The MetSimilar

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