
Design for a Frame (recto); Design for a Cassone (verso)
Anonymous, Italian, 16th century (d. 1600)
early 16th century · Pen, brown ink and wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
281 ms. The Metropolitan Museum of Art, Collection API (Open Access)
708 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21,270 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Frame (recto); Design for a Cassone (verso)
Anonymous, Italian, 16th century (d. 1600)
early 16th century · Pen, brown ink and wash
Cleared · Public Domain
live
Design for a Chalice (recto)
Luzio Romano
mid-1500s · Drawing, Black chalk, pen and brown ink, and brown wash, over black chalk, on laid paper
Cleared · CC0
live
Design for a Cassone (recto); Design for a Tomb (verso)
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–60 · Pen and brown ink, brush and gray-brown wash
Cleared · Public Domain
live
Design for a Chalice (recto) Architectural Plan (verso)
Luzio Romano
mid-1500s · Drawing, pen and brown ink and brush and brown wash over black chalk
Cleared · CC0
live
Design for a Chalice
Anonymous, Netherlandish, late 16th century (d. 1600)
16th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Christ Holding a Chalice and Cross (recto); Resurrected Christ and Lamb of God (verso)
Alonso Cano (d. 1667)
1666 · Drawing, pen and brown ink and brush and brown wash
Cleared · CC0
live
Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century (d. 1640)
1580–1620 · Pen and brown ink, over leadpoint or black chalk
Cleared · Public Domain
live
Design for a sepulchral monument (recto); Design for a monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso)
Cleared · Public Domain
live
Design for a Chalice (recto); Design for the Base of a Vase (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)
Cleared · Public Domain
live
Design for a Lectern (recto); Design for a Cartouche (verso) .
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); pen and brown ink and black chalk (verso)
Cleared · Public Domain
live
Design for a Canopy (recto). Design for an Armchair (verso)
Giovanni Battista Natali III (d. 1765)
1698–1765 · Pen and ink, brush and gray wash
Cleared · Public Domain
live
Design for a Stage Set (recto); Architectural Design (verso)
Francesco Navone (d. 1804)
1780–1804 · Pen and brown ink, brush and brown wash over black chalk (recto); pen and brown ink over black chalk (verso)
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.