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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    281 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    708 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 21,270 matching records exist across the two collections.

Results for "Design for a Chalice (recto); Design for"12 records

Institutions answered newest-first by record, interleaved

Design for a Frame (recto); Design for a Cassone (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Frame (recto); Design for a Cassone (verso)

Anonymous, Italian, 16th century (d. 1600)

early 16th century · Pen, brown ink and wash

Cleared · Public Domain

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The MetSimilar
Design for a Chalice (recto) by Luzio Romano, The Cleveland Museum of Art

Design for a Chalice (recto)

Luzio Romano

mid-1500s · Drawing, Black chalk, pen and brown ink, and brown wash, over black chalk, on laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Cassone (recto); Design for a Tomb (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Cassone (recto); Design for a Tomb (verso)

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–60 · Pen and brown ink, brush and gray-brown wash

Cleared · Public Domain

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The MetSimilar
Design for a Chalice (recto) Architectural Plan (verso) by Luzio Romano, The Cleveland Museum of Art

Design for a Chalice (recto) Architectural Plan (verso)

Luzio Romano

mid-1500s · Drawing, pen and brown ink and brush and brown wash over black chalk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Chalice by Anonymous, Netherlandish, late 16th century, The Metropolitan Museum of Art

Design for a Chalice

Anonymous, Netherlandish, late 16th century (d. 1600)

16th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Christ Holding a Chalice and Cross (recto); Resurrected Christ and Lamb of God (verso) by Alonso Cano, The Cleveland Museum of Art

Christ Holding a Chalice and Cross (recto); Resurrected Christ and Lamb of God (verso)

Alonso Cano (d. 1667)

1666 · Drawing, pen and brown ink and brush and brown wash

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Cartouche (recto); Design for a Cartouche (verso) by Anonymous, Italian, 16th to early 17th century, The Metropolitan Museum of Art

Design for a Cartouche (recto); Design for a Cartouche (verso)

Anonymous, Italian, 16th to early 17th century (d. 1640)

1580–1620 · Pen and brown ink, over leadpoint or black chalk

Cleared · Public Domain

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The MetSimilar
Design for a sepulchral monument (recto); Design for a monument (verso) by Pieter Verbruggen the Younger, The Metropolitan Museum of Art

Design for a sepulchral monument (recto); Design for a monument (verso)

Pieter Verbruggen the Younger (d. 1691)

late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Chalice (recto); Design for the Base of a Vase (verso) by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Chalice (recto); Design for the Base of a Vase (verso)

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Lectern (recto); Design for a Cartouche (verso)
. by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Lectern (recto); Design for a Cartouche (verso) .

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); pen and brown ink and black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Canopy (recto).  Design for an Armchair (verso) by Giovanni Battista Natali III, The Metropolitan Museum of Art

Design for a Canopy (recto). Design for an Armchair (verso)

Giovanni Battista Natali III (d. 1765)

1698–1765 · Pen and ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Design for a Stage Set (recto); Architectural Design (verso) by Francesco Navone, The Metropolitan Museum of Art

Design for a Stage Set (recto); Architectural Design (verso)

Francesco Navone (d. 1804)

1780–1804 · Pen and brown ink, brush and brown wash over black chalk (recto); pen and brown ink over black chalk (verso)

Cleared · Public Domain

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The MetSimilar

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