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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    345 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Design for a Choir Screen with Two Varia"12 records

Institutions answered newest-first by record, interleaved

Relief Panel with Two Griffins Drinking from a Cup by an unrecorded maker, The Metropolitan Museum of Art

Relief Panel with Two Griffins Drinking from a Cup

Unrecorded maker

late 9th–early 10th century · Marble, polychromy

Cleared · Public Domain

live
The MetSimilar
Choir screen panel (one of six) by Nicolas Castille, The Metropolitan Museum of Art

Choir screen panel (one of six)

Nicolas Castille (d. 1521)

ca. 1508–10 · Carved oak

Cleared · Public Domain

live
The MetSimilar
Choir screen panel (one of six) by Nicolas Castille, The Metropolitan Museum of Art

Choir screen panel (one of six)

Nicolas Castille (d. 1521)

ca. 1508–10 · Carved oak

Cleared · Public Domain

live
The MetSimilar
Lectern by an unrecorded maker, The Metropolitan Museum of Art

Lectern

Unrecorded maker

early 16th century · Wrought iron

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar
Design for a Choir Screen with a Cardinal's Hat by Anonymous, French, 16th century, The Metropolitan Museum of Art

Design for a Choir Screen with a Cardinal's Hat

Anonymous, French, 16th century (d. 1600)

16th century · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Mashrabiyya Screen by an unrecorded maker, The Metropolitan Museum of Art

Mashrabiyya Screen

Unrecorded maker

15th–16th century · Wood; turned

Cleared · Public Domain

live
The MetSimilar
Design for a Choir Screen with Two Variants, from "Clôtures de chapelles" by Jean Le Pautre, The Metropolitan Museum of Art

Design for a Choir Screen with Two Variants, from "Clôtures de chapelles"

Jean Le Pautre (d. 1682)

17th century · Etching; third edition

Cleared · Public Domain

live
The MetSimilar
Design for a Choir Screen with a Tomb in Red-Gray Marble by Anonymous, Flemish, The Metropolitan Museum of Art

Design for a Choir Screen with a Tomb in Red-Gray Marble

Anonymous, Flemish

17th century · Pen and brown ink with red and gray wash

Cleared · Public Domain

live
The MetSimilar
Design for a Choir Screen with Donor Statues flanking a Crucifix by Anonymous, Flemish, The Metropolitan Museum of Art

Design for a Choir Screen with Donor Statues flanking a Crucifix

Anonymous, Flemish

17th century · Pen and brown ink with blue, red and brown wash

Cleared · Public Domain

live
The MetSimilar
Choir screen from the Cathedral of Valladolid by Rafal Amezúa, The Metropolitan Museum of Art

Choir screen from the Cathedral of Valladolid

Rafal Amezúa (d. 1825)

completed ca. 1763 · Iron: gilded and painted; limestone (base)

Cleared · Public Domain

live
The MetSimilar
Design for a Stage Set by Giuseppe Barberi, The Metropolitan Museum of Art

Design for a Stage Set

Giuseppe Barberi (d. 1809)

1770–80 · Pen and brown ink, brush with brown, red and blue wash

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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