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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    93 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 888 matching records exist across the two collections.

Results for "Design for a Church Façade"12 records

Institutions answered newest-first by record, interleaved

Design for a Façade (unfinished) by Anonymous, Italian, late 16th century, The Metropolitan Museum of Art

Design for a Façade (unfinished)

Anonymous, Italian, late 16th century (d. 1600)

late 16th century · Pen and brown ink, brush and gray wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for a Church Façade by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Church Façade

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Project for a Church Façade by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Project for a Church Façade

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, washed, and tinted with pink

Cleared · Public Domain

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The MetSimilar
Design for a Façade by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Design for a Façade

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, over ruling in graphite

Cleared · Public Domain

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The MetSimilar
Design for a Façade by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Design for a Façade

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

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The MetSimilar
Design for a Palace Façade by Carl Hårleman, The Metropolitan Museum of Art

Design for a Palace Façade

Carl Hårleman (d. 1753)

early–mid 18th century · Pen and gray and black ink, brush and gray ink, chalk or graphite

Cleared · Public Domain

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The MetSimilar
Design for a Façade by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for a Façade

Anonymous, French, 18th century (d. 1800)

mid-18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Architectural Design for a Façade by Ferenc (Franz) Speth, The Metropolitan Museum of Art

Architectural Design for a Façade

Ferenc (Franz) Speth (d. 1769)

1739–69 · Watercolor and pen and black ink

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Church Façade by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Church Façade

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

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The MetSimilar
Design for a Façade by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Façade

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for a Church Façade by Giuseppe Jarmorini, The Metropolitan Museum of Art

Design for a Church Façade

Giuseppe Jarmorini (d. 1816)

1732–1816 · Pen and brown ink, brush and gray wash, over graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Façade

Ambrosius Hörmannstorfer (d. 1781)

1755 · Pen and black ink, watercolor, and gouache

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.