Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    687 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18,490 matching records exist across the two collections.

Results for "Design for a Classical Chimneypiece with"12 records

Institutions answered newest-first by record, interleaved

Design for a Chimneypiece with the a Monogram formed of the Initials 'TC', in Chippendale Drawings, Vol. I by Thomas Chippendale, The Metropolitan Museum of Art

Design for a Chimneypiece with the a Monogram formed of the Initials 'TC', in Chippendale Drawings, Vol. I

Thomas Chippendale (d. 1779)

ca. 1760–70 · Black ink, gray ink, gray wash and graphite

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room

Sir William Chambers (d. 1796)

ca. 1769 · Pen and black ink, brush and wash, touches of watercolor

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–96 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–1800 · Pen and ink

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–1800 · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–1800 · Pen and ink

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–1800 · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–1800 · Pen and ink

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by Robert Adam, The Metropolitan Museum of Art

Design for a Chimneypiece

Robert Adam (d. 1792)

second half 18th century · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan by Sir William Chambers, The Metropolitan Museum of Art

Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan

Sir William Chambers (d. 1796)

1745–1800 · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
Partial Design for a Chimneypiece by Sir William Chambers, The Metropolitan Museum of Art

Partial Design for a Chimneypiece

Sir William Chambers (d. 1796)

1740–1800 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Design for a Chimneypiece by John Yenn, The Metropolitan Museum of Art

Design for a Chimneypiece

John Yenn (d. 1821)

late 18th–early 19th century · Pen and ink, brush and wash, watercolor

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.