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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    487 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    285 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 1,351 matching records exist across the two collections.

Results for "Design for a Coat of Arms with Putti hol"12 records

Institutions answered newest-first by record, interleaved

Design for a Coat of Arms with Putti holding Garlands by Tobias Stimmer, The Metropolitan Museum of Art

Design for a Coat of Arms with Putti holding Garlands

Tobias Stimmer (d. 1584)

1550–84 · Pen and black ink, brush and gray and rose wash

Cleared · Public Domain

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The MetSimilar
Frieze with Medici Coat of Arms and Putti (Embroidery Design?) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Frieze with Medici Coat of Arms and Putti (Embroidery Design?)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, watercolor, on vellum

Cleared · Public Domain

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The MetSimilar
Blackwork Design for Goldsmithwork with the Coat of Arms of a Bishop by Mathais Beitler, The Metropolitan Museum of Art

Blackwork Design for Goldsmithwork with the Coat of Arms of a Bishop

Mathais Beitler (d. 1616)

1615 · Engraving and blackwork

Cleared · Public Domain

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The MetSimilar
Design for the Coat of Arms of a Cardinal with three Angels by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for the Coat of Arms of a Cardinal with three Angels

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1640–60 · Red chalk

Cleared · Public Domain

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The MetSimilar
Design for a Coat of Arms by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Coat of Arms

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown by Giovanni Andrea Maglioli, The Metropolitan Museum of Art

Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown

Giovanni Andrea Maglioli (d. 1610)

17th century · Pen and brown ink, brush and brown wash, over black chalk (incised for transfer)

Cleared · Public Domain

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The MetSimilar
Coat of Arms by Mary Ann Thomas, The Metropolitan Museum of Art

Coat of Arms

Mary Ann Thomas (d. 1872)

ca. 1786 · Silk embroidery on silk

Cleared · Public Domain

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The MetSimilar
Coat of Arms by Sarah Duncan, The Metropolitan Museum of Art

Coat of Arms

Sarah Duncan (d. 1835)

ca. 1790 · Silk and metallic thread embroidery on silk

Cleared · Public Domain

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The MetSimilar
Design for a Coat of Arms by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for a Coat of Arms

Anonymous, French, 18th century (d. 1800)

18th century · Pen and black ink

Cleared · Public Domain

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The MetSimilar
Design for a Coat of Arms by J. S. Pearse, The Metropolitan Museum of Art

Design for a Coat of Arms

J. S. Pearse (d. 1900)

1858 · Watercolor over graphite

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor with Two Mirroring Putti flanking a Coat of Arms; sketches on verso by Jean-Baptiste Louis Plantar, The Metropolitan Museum of Art

Design for an Overdoor with Two Mirroring Putti flanking a Coat of Arms; sketches on verso

Jean-Baptiste Louis Plantar

mid-19th century · Graphite, pen and ink, watercolor

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor with Two outward facing Putti flanking a Coat of Arms; sketches on verso by Jean-Baptiste Louis Plantar, The Metropolitan Museum of Art

Design for an Overdoor with Two outward facing Putti flanking a Coat of Arms; sketches on verso

Jean-Baptiste Louis Plantar

mid-19th century · Graphite, pen and ink, watercolor

Cleared · Public Domain

live
The MetSimilar

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