Plate 2, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
544 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,445 matching records exist across the two collections.
Results for "Design for a Confessional, plate 2 from"12 records
Institutions answered newest-first by record, interleaved
Design for plate 2, from "Orthographia"
Johann Daniel Preissler (d. 1737)
late 17th–mid-18th century · Pen and gray ink, brush and gray wash over traces of black chalk; inlaid on paper mount with green and black framing lines; incised(?)
Cleared · Public Domain
liveThe MetSimilar
Design for a Confessional, plate 1 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for a Confessional, plate 3 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for a Confessional, plate 4 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for a Tabernacle, plate 2 from "Tabernacle"
Franz Xavier Habermann (d. 1796)
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for a Confessional, plate 2 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: Design for a Keyhole Escutcheon
Antoine Jacquard (d. 1630)
1615 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "Cartouche Pitoresque"
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tombs, Plate 2
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 2, Plate 2
Georges Darcy (d. 1999)
ca. 1933 · Pochoir
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.