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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1412 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 164 matching records exist across the two collections.

Results for "Design for a Crucifix with the Virgin Ma"12 records

Institutions answered newest-first by record, interleaved

Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John by Polidoro da Caravaggio, The Metropolitan Museum of Art

Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John

Polidoro da Caravaggio (d. 1548)

n.d. · Pen and brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Design for Pediments with the Resurrected Christ surmounted by a Crucifix by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for Pediments with the Resurrected Christ surmounted by a Crucifix

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, brush and brown wash, traces of leadpoint

Cleared · Public Domain

live
The MetSimilar
Corpus from a crucifix by Unknown, The Metropolitan Museum of Art

Corpus from a crucifix

Unknown

second half 17th century · Bronze, gilt

Cleared · Public Domain

live
The MetSimilar
Design for the Base of a Crucifix, plate 1 from "Neü inventierte Crucifix Stöcke" by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for the Base of a Crucifix, plate 1 from "Neü inventierte Crucifix Stöcke"

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for the Base of a Crucifix, plate 2 from "Neü inventierte Crucifix Stöcke" by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for the Base of a Crucifix, plate 2 from "Neü inventierte Crucifix Stöcke"

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for the Base of a Crucifix, plate 3 from "Neü inventierte Crucifix Stöcke" by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for the Base of a Crucifix, plate 3 from "Neü inventierte Crucifix Stöcke"

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for the Base of a Crucifix, plate 4 from "Neü inventierte Crucifix Stöcke" by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for the Base of a Crucifix, plate 4 from "Neü inventierte Crucifix Stöcke"

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Corpus from a Crucifix by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Corpus from a Crucifix

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1755 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Design for a Ceiling with Virgin and Child in Glory by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Ceiling with Virgin and Child in Glory

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen and ink wiht yellow, gray and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for an Altar with a Statue of the Virgin and Child. by Anonymous, Italian, 19th century, The Metropolitan Museum of Art

Design for an Altar with a Statue of the Virgin and Child.

Anonymous, Italian, 19th century (d. 1900)

ca. 1831 · Pen and brown ink, watercolor, over graphite with some ruled and compass construction

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for an Altar with a Late Baroque Statue of the Ascension of the Virgin

Claude David

ca. 1690–1720 · Pen and brown ink, gray, rose, and blue wash, with the statue of the assunta in musk and gray-blue ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Crucifix

Kongo artist

ca. 17th century · Copper alloy, wood

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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