
Design for a Frieze with Grotesques
Andrés de Melgar (d. 1554)
ca. 1545–60 · Pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
277 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,693 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Frieze with Grotesques
Andrés de Melgar (d. 1554)
ca. 1545–60 · Pen and brown ink
Cleared · Public Domain
live
Design for a Decorated Frieze with Alternation of Cartouches and Winged Putti
Luzio Luzzi (also known as Luzio Romano, Luzio da Todi) (d. 1582)
16th century · Pen and brown ink, brush and blue wash (over traces of leadpoint (?))
Cleared · Public Domain
live
Design for a Frieze with Two Griffins
Anonymous, Italian, 17th century (d. 1700)
1650–1700 · Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk
Cleared · Public Domain
live
Design for a Frieze with Two Women Flanking an Urn
Giuseppe Cades (d. 1799)
ca. 1775–85 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk
Cleared · Public Domain
live
Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals
Sir William Chambers (d. 1796)
1743–96 · Pen and brown ink over graphite
Cleared · Public Domain
live
Design for a Frieze with Acanthus and Shell
Anonymous, British, 18th century (d. 1800)
18th century · Graphite
Cleared · Public Domain
live
Design for a Frieze Ornamented with Musical Instruments
Thomas Hardwick (d. 1829)
late 18th–early 19th century · Pen and ink, brush and wash
Cleared · Public Domain
live
Design for a Frieze with Roman Trophies
Anonymous, Italian, 19th century (d. 1900)
1800–1900 · Black ink and wash
Cleared · Public Domain
live
Design for a Frieze with Roman Trophies
Anonymous, Italian, 19th century (d. 1900)
1800–1900 · Black ink and wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Curved Frieze with Flemish Grotesques
Cornelis Bos (d. 1556)
ca. 1546–50 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Frieze with a Love Scene
Félix Leblanc (d. 1923)
ca. 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Frieze with Blue Latticework Overlaid with Paisley Motifs
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.