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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2082 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    524 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 21,211 matching records exist across the two collections.

Results for "Design for a Façade"12 records

Institutions answered newest-first by record, interleaved

Design for a Façade (unfinished) by Anonymous, Italian, late 16th century, The Metropolitan Museum of Art

Design for a Façade (unfinished)

Anonymous, Italian, late 16th century (d. 1600)

late 16th century · Pen and brown ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
First Bank of the United States, Philadelphia by Frederick DeBourg Richards, The Cleveland Museum of Art

First Bank of the United States, Philadelphia

Frederick DeBourg Richards (d. 1903)

1859 · Photograph, salted paper print from wet collodion negative

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Façade with Sgraffito Decorations by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Façade with Sgraffito Decorations

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)

Lievin Cruyl (d. 1720)

1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for a Church Façade by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Church Façade

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Cartouche (verso) by Lievin Cruyl, The Cleveland Museum of Art

Cartouche (verso)

Lievin Cruyl (d. 1720)

1664 · Drawing, graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Façade with Statues in Niches and Armorial Trophies by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Façade with Statues in Niches and Armorial Trophies

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Eighteen Views of Rome: The Piazza Farnese (recto) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Farnese (recto)

Lievin Cruyl (d. 1720)

1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for a Façade by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Design for a Façade

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, over ruling in graphite

Cleared · Public Domain

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The MetSimilar
Design for a Façade by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Design for a Façade

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Design for a Palace Façade by Carl Hårleman, The Metropolitan Museum of Art

Design for a Palace Façade

Carl Hårleman (d. 1753)

early–mid 18th century · Pen and gray and black ink, brush and gray ink, chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Design for a Façade by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for a Façade

Anonymous, French, 18th century (d. 1800)

mid-18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar

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