A painting can be out of copyright and thephotograph of it can still be protected.

Design for the Decoration of a Façade in Fresco or Sgraffito

Anonymous, Italian, 16th century (d. 1600)

early 16th century · Pen and brown ink, brush and brown wash

Design for a Wall Decoration over an Arched Doorway with Grimani Arms

Bernardino India (d. 1590)

1528–90 · Pen and brown ink, brush and brown wash

Design for a Façade with Sgraffito Decorations

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, over black chalk

Design for a Façade with Statues in Niches and Armorial Trophies

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over graphite

Design for a Palace Façade

Anonymous

ca. 1700 · Pen and brown ink, brush with gray-brown wash, over black chalk (or graphite)

Design for the Façade of a Palace with the Coat of Arms of Pope Clement IX

Anonymous, Italian, 18th century (d. 1800)

ca. 1710–21 · Pen and brown ink with brown, red and green wash

Architectural Design for a Façade

Ferenc (Franz) Speth (d. 1769)

1739–69 · Watercolor and pen and black ink

Design for a Candelabra

Anonymous, French, 18th century (d. 1800)

ca. 1760–70 · Red chalk with partial black underdrawing

Design for a House Facade for Count Toring at Mengelsau

Ambrosius Hörmannstorfer (d. 1781)

1755 · Pen and black ink, brush with gray, yellow and brown wash, white gouache, over black chalk

Design for the Façade of the Glyptothek in Munich

Leo von Klenze (d. 1864)

ca. 1818 · Pen and black ink, graphite

Design for Palace Façade Decorated with Two Statues in Niches and a Coat of Arms Above

Anonymous, Italian (d. 2050)

n.d. · Pen and brown ink, brush and gray wash, over graphite

Design for the Façade of a House

Célestin-Joseph Happe

n.d. · Pen and black ink, brush and gray, brown, and rose wash, with framing lines in pen and black ink