
Textile Design with Alternating Quatrefoils Bordered with Pearls and Framed by Interlacing Ribbons
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
319 ms. The Metropolitan Museum of Art, Collection API (Open Access)
266 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,768 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Textile Design with Alternating Quatrefoils Bordered with Pearls and Framed by Interlacing Ribbons
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
live
Design for a Chair Back Cover with an Ornamental Frame Formed by a Garland of Leaves and Flowers with an Interlacing Ribbon that Forms a Bow from which a Crown Motif with a Monogram Hangs
Anonymous, French, 19th century (d. 1900)
1870–1900 (?) · Watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Frame with Oriental Attributes
Anonymous, French, 18th century (d. 1800)
18th century · Brush and gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Textile with a Bundle of Stylized Flowers and Leaves and Interlacing Ribbons
Anonymous, French (Lyon), 18th Century (d. 1800)
ca. 1770–1800 · Graphite and Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a brooch with a frame of interlacing branches with stylized leaves, possibly after jewel designed by Alexis Falize in the Second Empire
Anonymous, French, 19th century (d. 1900)
ca. 1850–70 · Graphite, pen and black ink, watercolor and gouache on greenish paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Frame with Interlacing Serpents
Anonymous, French, 19th century (d. 1900)
ca. 1850–70 · Pencil on white laid paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Chatelaine with Grotesques, Fantastical Animals, Scrolling Motifs, and Interlacing Strapwork
Georges Le Saché (d. 1877)
ca. 1873 · Pencil, pen and black ink, watercolor, and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Earring with Interlacing Gold Motifs
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Pendant with Two Interlacing Circles of Diamonds and Rubies
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with a Striped Pattern with Vertical Interlacing Lines
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Interlacing Ribbon Motifs
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Silver Frame with Putti
Anonymous, Czech, early 20th century (d. 1950)
1900–1967 · Graphite on tracing paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.