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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    795 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    3356 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,154 matching records exist across the two collections.

Results for "Design for a Frieze with Central Cartouc"12 records

Institutions answered newest-first by record, interleaved

Design for a Frieze with Grotesques by Andrés de Melgar, The Metropolitan Museum of Art

Design for a Frieze with Grotesques

Andrés de Melgar (d. 1554)

ca. 1545–60 · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Design for a Frieze with Two Griffins by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Frieze with Two Griffins

Anonymous, Italian, 17th century (d. 1700)

1650–1700 · Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk

Cleared · Public Domain

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The MetSimilar
Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls by Gilles Paul Cauvet, The Metropolitan Museum of Art

Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls

Gilles Paul Cauvet (d. 1788)

ca. 1760–80 · Pen and brown and gray ink, watercolor, heightened with white

Cleared · Public Domain

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The MetSimilar
Design for a Frieze with Two Women Flanking an Urn by Giuseppe Cades, The Metropolitan Museum of Art

Design for a Frieze with Two Women Flanking an Urn

Giuseppe Cades (d. 1799)

ca. 1775–85 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk

Cleared · Public Domain

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The MetSimilar
Design for a Frieze Ornamented with Musical Instruments by Thomas Hardwick, The Metropolitan Museum of Art

Design for a Frieze Ornamented with Musical Instruments

Thomas Hardwick (d. 1829)

late 18th–early 19th century · Pen and ink, brush and wash

Cleared · Public Domain

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The MetSimilar
Design for a Frieze by Thomas Stothard, The Metropolitan Museum of Art

Design for a Frieze

Thomas Stothard (d. 1834)

1825–30 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
Design for a Frieze with Roman Trophies by Anonymous, Italian, 19th century, The Metropolitan Museum of Art

Design for a Frieze with Roman Trophies

Anonymous, Italian, 19th century (d. 1900)

1800–1900 · Black ink and wash

Cleared · Public Domain

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The MetSimilar
Design for a Frieze with Roman Trophies by Anonymous, Italian, 19th century, The Metropolitan Museum of Art

Design for a Frieze with Roman Trophies

Anonymous, Italian, 19th century (d. 1900)

1800–1900 · Black ink and wash

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Curved Frieze with Flemish Grotesques

Cornelis Bos (d. 1556)

ca. 1546–50 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for gunsmiths: Frieze with central head

Philippe Cordier Daubigny (d. 1665)

1655 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Frieze with a Love Scene

Félix Leblanc (d. 1923)

ca. 1880 · Wood engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Frieze with Blue Latticework Overlaid with Paisley Motifs

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.