Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
536 ms. The Metropolitan Museum of Art, Collection API (Open Access)
543 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 540 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro (d. 1586)
1537–86 · Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso)
Cleared · Public Domain
live
Design for a Decorated Frieze with Alternation of Cartouches and Winged Putti
Luzio Luzzi (also known as Luzio Romano, Luzio da Todi) (d. 1582)
16th century · Pen and brown ink, brush and blue wash (over traces of leadpoint (?))
Cleared · Public Domain
live
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century (d. 1600)
1550–1600 · Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer
Cleared · Public Domain
live
Design for a frame with foliates and putti
Anonymous, German, 17th century (d. 1700)
17th century · Pen and brown ink
Cleared · Public Domain
live
Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center
Le Roy
ca. 1777 · Etching
Cleared · Public Domain
live
Design for a Frieze with Wreath and Festoons
Anonymous, British, 18th century (d. 1800)
18th century · Pen and ink
Cleared · Public Domain
live
Design for a Frieze with Putti and Garland (related to the Arc du Carrousel)
Anonymous, French, 19th century (d. 1900)
ca. 1806–08 · Pen and black ink over graphite
Cleared · Public Domain
live
Design for a Frieze with Putti Supporting a Garland, with the inital "N" inside a Wreath (related to the Arc du Carrousel)
Anonymous, French, 19th century (d. 1900)
ca. 1806–08 · Pen and black ink over graphite
Cleared · Public Domain
live
Design for a Rococo Cartouche with Putti and Monkeys
Clément Pierre Marillier (d. 1808)
1808 · Pen and black ink with brush and gray wash over black chalk underdrawing
Cleared · Public Domain
live
Design for a Frieze
Henri Sallembier (d. 1820)
n.d. · Pen and brown ink, brush and brown wash, over graphite
Cleared · Public Domain
live
Design for a Frieze with a Procession of Putti
Anonymous, French, 19th century (d. 1900)
19th century · Pen and black ink over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Frieze with Putti and a Goat
Master of the Die (d. 1560)
1532 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.