A painting can be out of copyright and thephotograph of it can still be protected.

Design for a Frieze with Grotesques

Andrés de Melgar (d. 1554)

ca. 1545–60 · Pen and brown ink

Design for a Frieze with Two Griffins

Anonymous, Italian, 17th century (d. 1700)

1650–1700 · Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk

Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls

Gilles Paul Cauvet (d. 1788)

ca. 1760–80 · Pen and brown and gray ink, watercolor, heightened with white

Design for a Frieze with Two Women Flanking an Urn

Giuseppe Cades (d. 1799)

ca. 1775–85 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk

Design for a Roman Procession

Anonymous, French, 18th century (d. 1800)

18th century · Pen and brown ink with brush and gray wash

Design for a Frieze

Thomas Stothard (d. 1834)

1825–30 · Pen and brown ink, brush and brown wash

Design for a Frieze with a Procession of Putti

Anonymous, French, 19th century (d. 1900)

19th century · Pen and black ink over graphite

Design for a Frieze with Roman Trophies

Anonymous, Italian, 19th century (d. 1900)

1800–1900 · Black ink and wash

Design for a Frieze with Roman Trophies

Anonymous, Italian, 19th century (d. 1900)

1800–1900 · Black ink and wash

Design for a Curved Frieze with Flemish Grotesques

Cornelis Bos (d. 1556)

ca. 1546–50 · Engraving

Design for a Frieze with a Love Scene

Félix Leblanc (d. 1923)

ca. 1880 · Wood engraving

Design for a Frieze with Blue Latticework Overlaid with Paisley Motifs

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint