
Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
66 ms. The Metropolitan Museum of Art, Collection API (Open Access)
17 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,452 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
live
Design for a Frontispiece: Mercury and Fame
Francisco Rizi (d. 1685)
1650 · Pen and brown ink with pen and black ink and brush and gray wash. Composition outlined in pen and brown ink. Contours incised and verso blackened with carbon dust for transfer
Cleared · Public Domain
live
Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree
Giovanni Angelo Canini (d. 1666)
1615–66 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper
Cleared · Public Domain
live
Allegorical Design for a Ceiling Fresco
Francesco Albani (d. 1660)
1650–1700 · Pen and brown ink, watercolor, over black chalk or leadpoint
Cleared · Public Domain
live
Design for a Frontispiece
Bernard Picart (d. 1733)
1720 · Pen and black ink, brush and gray wash; framing lines in pen and black ink
Cleared · Public Domain
live
Design for a Frontispiece
Claude Louis Châtelet (d. 1794)
1782 · Pen and brown and gray ink, brush and brown and gray wash, watercolor; framing lines in pen and black ink, with brush and pink wash outside lines
Cleared · Public Domain
live
Design for a Frontispiece
Josiah Boydell (d. 1817)
ca. 1793 · Watercolor, pen and brown ink, brush and wash, over graphite
Cleared · Public Domain
live
Allegorical Design for a Tomb
André Lebrun (d. 1811)
n.d. · Pen and brown ink, brown wash over graphite
Cleared · Public Domain
live
Design for a Frontispiece
Albert-Ernest Carrier-Belleuse (d. 1887)
19th century · Black chalk, white gouache
Cleared · Public Domain
live
Design for a ceiling with allegorical panels
Jules-Edmond-Charles Lachaise (d. 1897)
second half 19th century · Graphite, pen and black ink, gilt, gouache, and watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a plaque
Louis C. Tiffany (d. 1933)
1930 · Watercolor, pen and black ink, and graphite on artist board in original window matt with gold metallic finish
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Skylight
Louis C. Tiffany (d. 1933)
1902–32 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard with window mat
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.