Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
395 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,593 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Circular Border with Nine Female Figures (the Muses?)
Luca Penni (d. 1557)
1525–35 · Pen and brown ink, brush and brown wash, over traces of black chalk; circular outlines done with compass, and the paper is sectioned into five fragments.
Cleared · Public Domain
live
Design for a Frontispiece with the Medici Arms
Jan van der Straet, called Stradanus (d. 1605)
16th century · Pen and brown ink, brush and blue wash, heightened with white, incised for transfer; with collage
Cleared · Public Domain
live
Design for a Frontispiece: Mercury and Fame
Francisco Rizi (d. 1685)
1650 · Pen and brown ink with pen and black ink and brush and gray wash. Composition outlined in pen and brown ink. Contours incised and verso blackened with carbon dust for transfer
Cleared · Public Domain
live
Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree
Giovanni Angelo Canini (d. 1666)
1615–66 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper
Cleared · Public Domain
live
Design for a Wall Decoration with Chimneypiece and Two Figures
Antoine Le Pautre (d. 1679)
ca. 1650–70 · Pen and brown ink with brush and brown and gray wash
Cleared · Public Domain
live
Design for a sepulchral monument with two figures
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, brush and brown-gray wash, over red and black chalk or graphite
Cleared · Public Domain
live
Design for a Frontispiece with an Allegory of Brazil
Ottmar Elliger the Younger (d. 1735)
late 17th–mid-18th century · Pen and gray and black ink, brush and gray wash
Cleared · Public Domain
live
Design for a Frontispiece with Figures of Faith and Hope
Martin Tyroff (d. 1759)
1704–59 · Red chalk
Cleared · Public Domain
live
Design for a Frontispiece
Claude Louis Châtelet (d. 1794)
1782 · Pen and brown and gray ink, brush and brown and gray wash, watercolor; framing lines in pen and black ink, with brush and pink wash outside lines
Cleared · Public Domain
live
Design for a sarcophagus with two mourning figures
John Gibson (d. 1866)
ca. 1850 · Graphite, with inscriptions in pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cutout fragment of journal page with advertisements for jewelers and watch sellers, one with 15 designs for fine seal and cameo rings
George O. Street (d. 1899)
ca. 1869–99
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Pendant (?) with Dancing Female Figures and Other Sketches of Female Figures
Anonymous, French, 19th century (d. 1900)
ca. 1930 · Graphite on brown, semi-transparent paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.