Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
516 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 959 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Brooch with Glass Stones
Alexis Falize (d. 1898)
ca. 1850–70 · Graphite, pen and black ink, watercolor and gouache on greenish paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Brooch with Diamonds, Rubies and Blue Enamel
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Brooch with Three Cameo Frames and Black Pearls
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Enamel Brooch
Unrecorded maker
ca. 1870–1930 · Watercolor, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Glass Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Pink Stone, Glass or Enamel Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor, and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Turquoise Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor, and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Brooch with Blue Stones
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Brooch with Pearls and a Large Green Stone
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold, Diamond (?) and Pearl (?) Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold, Sapphire (?), Pearl, and Enamel Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor, and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Silver or Platinum Brooch with Blue Stones
Unrecorded maker
ca. 1870–1930 · Graphite and watercolor
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.