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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    181 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,587 matching records exist across the two collections.

Results for "Design for a Gold and Blue Enamel Pendan"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold and Blue Enamel Earring with Rubies, a Trefoil Motif, Quatrefoil Motifs and Gold Cannetille Scrolls

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold and Blue Enamel Pendant with Black Diamonds and a Bird

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Brooch with Diamonds, Rubies and Blue Enamel

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Earring with Black Pearls and Blue Stones

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Earring with Blue Stones

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink and gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Pendant with Diagonal Stripes of Black Diamonds and Blue Enamel

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Pendant with Diamonds and Blue Enamel

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Pendant with Diamonds, Rubies and Blue Enamel

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold Pendant with Turquoises, Diamonds and Black Enamel

Anonymous, French, 19th century (d. 1900)

ca. 1870–1900 · Lithograph, ink, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold and Enamel Brooch

Unrecorded maker

ca. 1870–1930 · Watercolor, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold, Pearls or Glass Stones and Enamel Brooch

Unrecorded maker

ca. 1870–1930 · Graphite, watercolor, gouache and gold pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold, Sapphire (?), Pearl, and Enamel Brooch

Unrecorded maker

ca. 1870–1930 · Graphite, watercolor, and gold pigment

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.