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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    700 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    362 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "Design for a Mirrored Dressing Table wit"12 records

Institutions answered newest-first by record, interleaved

Dressing table by an unrecorded maker, The Metropolitan Museum of Art

Dressing table

Unrecorded maker

1710–30 · Cherry, yellow poplar, birch, soft maple, red oak, ash

Cleared · Public Domain

live
The MetSimilar
Combination table by Martin Carlin, The Metropolitan Museum of Art

Combination table

Martin Carlin (d. 1785)

ca. 1775 · Oak and pine veneered with tulipwood, sycamore, holly, boxwood and ebony; Carrara marble; gilt-bronze mounts; accessories of Sèvres porcelain, rock crystal, silver gilt, and lacquer

Cleared · Public Domain

live
The MetSimilar
Mechanical table by Jean Henri Riesener, The Metropolitan Museum of Art

Mechanical table

Jean Henri Riesener (d. 1806)

1781 · Oak veneered with mahogany and marquetry of bois satiné, sycamore, holly, ebonized holly fillets, and bayberry, the top with an amaranth border; gilt-bronze mounts; mirror glass; iron and brass fittings; green velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Plateau by John W. Forbes, The Metropolitan Museum of Art

Plateau

John W. Forbes (d. 1864)

ca. 1825 · Silver, glass with walnut

Cleared · Public Domain

live
The MetSimilar
Design for a Mirrored Dressing Table with Baroque Ornament, and a Casket by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for a Mirrored Dressing Table with Baroque Ornament, and a Casket

Anonymous, British, 19th century (d. 1900)

early 19th century · Pen and ink, watercolor

Cleared · Public Domain

live
The MetSimilar
Design for a Mirrored Marble Table Ornamented with Gold by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for a Mirrored Marble Table Ornamented with Gold

Anonymous, British, 19th century (d. 1900)

early 19th century · Pen and ink, brush and wash, watercolor

Cleared · Public Domain

live
The MetSimilar
Architectural woodwork and paneling by George A. Schastey & Co., The Metropolitan Museum of Art

Architectural woodwork and paneling

George A. Schastey & Co. (d. 1897)

1881–82 · Satinwood, purpleheart, mother-of-pearl, silver-plated brass, mirrored glass, marble, and reproduction upholstery

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Doctor Syntax Copying the Wit of the Window

Thomas Rowlandson (d. 1827)

1819 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wooden Dressing Table in the Art Nouveau Style

Georges de Feure (d. 1943)

ca. 1895–1900 · Graphite and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Toilette of Salomé (second version), for Salomé by Oscar Wilde

Aubrey Vincent Beardsley (d. 1898)

[1907] · Process print from line block

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hand Mirror

Armand-Albert Rateau (d. 1938)

ca. 1925 · Bronze, ivory, mirror glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Side table

Gerrit Rietveld (d. 1964)

1923 (designed), 1981 (made) · Painted beech, painted beech-veneered plywood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.