
Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
428 ms. The Metropolitan Museum of Art, Collection API (Open Access)
355 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,293 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
live
Design for a Funeral Monument
Italian, Lombardy (d. 1531)
early 16th century · Pen and ink in two shades of brown, brush and brown washes.
Cleared · Public Domain
live
Design for a Tomb or Wall Monument
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, over traces of graphite and ruled underdrawing
Cleared · Public Domain
live
Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, some white gouache (?) (recto); pen and brown ink, over black chalk or graphite (verso)
Cleared · Public Domain
live
Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, red and brown brownish gray wash (recto); pen and brown ink, over black chalk or graphite (verso)
Cleared · Public Domain
live
Design for a Pedestal (recto); Design for the Plan of a Monument (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink over black chalk; vertical ruling lines (recto); black chalk (verso)
Cleared · Public Domain
live
Design for a Funeral Monument (Preparatory Drawing for a Print)
Johann Jakob Schübler (d. 1741)
1724–41 · Pink wash, pen and black ink with gray washes
Cleared · Public Domain
live
Plan of a Washington Monument
John William Orr (d. 1887)
1848 · Wood engraving
Cleared · Public Domain
live
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Frédéric-Auguste Bartholdi (d. 1904)
1875 · Charcoal, heightened with white chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Monument: Statue of the Saône, Place Bellecour, Lyon
Anonymous, French, 19th century (d. 1900)
19th century · Pen and black ink, brush and gray, green, and blue wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for tomb monument
Louis C. Tiffany (d. 1933)
1900–1920 · Gouache, charcoal, photograph, and collage on paper mounted on board.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.