
Design for a Music Room
Anonymous, French, 19th century (d. 1900)
1805 · Pen and gray ink, brush and gray, yellow, blue, and pink wash.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
288 ms. The Metropolitan Museum of Art, Collection API (Open Access)
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,009 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Music Room
Anonymous, French, 19th century (d. 1900)
1805 · Pen and gray ink, brush and gray, yellow, blue, and pink wash.
Cleared · Public Domain
live
Design for music cover: A Runaway Girl Waltz
W. George (d. 1900)
1898 · Watercolor over graphite
Cleared · Public Domain
live
Design for a Music Stand
Anonymous, French, 19th century (d. 1900)
19th century · Pen and black and red ink, brush and black, gray and yellow wash
Cleared · Public Domain
live
Design for a Music Program
Anonymous, French, 19th century (d. 1900)
19th century · Black chalk, graphite, and pen and black ink
Cleared · Public Domain
live
Design for a Title Page Sheet Music
Anonymous, German, 19th century (d. 1899)
19th century · Pen and brown ink brush and watercolor over red chalk on green washed paper.
Cleared · Public Domain
live
Design for a Title Page for Sheet Music
Max Klinger (d. 1920)
late 19th–early 20th century · Pen and black ink, brush and gray wash, red gouache, corrected with white; partially incised for transfer; strips added at top and at right
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canterbury [sheet music storage rack]
Duncan Phyfe & Sons (d. 1840)
ca. 1840 · Mahogany, mahogany veneer, white pine, and poplar
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The evolution of church music
Louis John Rhead (d. 1926)
1896
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Music Lovers
Theresa Bernstein (d. 2002)
1915 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Piano
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk, pen and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for "Ziegfeld Follies of 1936": gown for Harriet Hocter in 'Words Without Music'
Vincente Minnelli (d. 1986)
1936 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Music Stand
Wharton Esherick (d. 1970)
1962, design date 1951 · Cherry wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.