
Design for a Music Room
Anonymous, French, 19th century (d. 1900)
1805 · Pen and gray ink, brush and gray, yellow, blue, and pink wash.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1094 ms. The Metropolitan Museum of Art, Collection API (Open Access)
429 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,968 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Music Room
Anonymous, French, 19th century (d. 1900)
1805 · Pen and gray ink, brush and gray, yellow, blue, and pink wash.
Cleared · Public Domain
live
Music Stand
Unrecorded maker
ca. 1870 · Ebonized maple, brass
Cleared · Public Domain
live
The Music Room
Mihály Munkácsy (d. 1900)
1878 · Oil on wood
Cleared · Public Domain
live
Design for a Sitting Room
Charles Hindley and Sons (d. 1917)
1841–84 · Graphite with touches of white gouache
Cleared · Public Domain
live
Settee
Sir Lawrence Alma-Tadema (d. 1912)
ca. 1885 · Ebony, box and sandalwood, cedar, ivory inlay, incrustations of mother-of-pearl and brass
Cleared · Public Domain
live
Study for the Ceiling of the Marquand Music Room
Frederic, Lord Leighton (d. 1896)
ca. 1886 · Oil and gold on canvas
Cleared · Public Domain
live
Design for a Music Stand
Anonymous, French, 19th century (d. 1900)
19th century · Pen and black and red ink, brush and black, gray and yellow wash
Cleared · Public Domain
live
Design for a Music Program
Anonymous, French, 19th century (d. 1900)
19th century · Black chalk, graphite, and pen and black ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Room
John Dibblee Crace (d. 1919)
1850–1919 · Watercolor, pen and brown ink over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Room with a Balcony
Guido Heigl (d. 1926)
ca. 1920 · Brush and black ink, blue and green crayon and gray and brown gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Garden Room
Louis C. Tiffany (d. 1933)
ca. 1922 · Transparent and opaque watercolor, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Living Room
André Arbus (d. 1969)
1935 · Graphite, watercolor, gouache
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.