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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    539 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,385 matching records exist across the two collections.

Results for "Design for a Panel with Four Putti Decor"12 records

Institutions answered newest-first by record, interleaved

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head by Giulio Campi, The Metropolitan Museum of Art

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head

Giulio Campi (d. 1572)

1535–45 · Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
Design for a Knife Handle with a Couple Holding Hands by Johann Theodor de Bry, The Metropolitan Museum of Art

Design for a Knife Handle with a Couple Holding Hands

Johann Theodor de Bry (d. 1623)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Design for Four Knife Handles with Title by Johann Theodor de Bry, The Metropolitan Museum of Art

Design for Four Knife Handles with Title

Johann Theodor de Bry (d. 1623)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Two Pilaster with White Putti on Tan Ground by Giovanni Mauro della Rovere, The Metropolitan Museum of Art

Two Pilaster with White Putti on Tan Ground

Giovanni Mauro della Rovere (d. 1640)

1595–1640 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk

Cleared · Public Domain

live
The MetSimilar
Two Pilaster with White Putti on Tan Ground by Giovanni Mauro della Rovere, The Metropolitan Museum of Art

Two Pilaster with White Putti on Tan Ground

Giovanni Mauro della Rovere (d. 1640)

1595–1640 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with Four Male Figures Fighting a Lion by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with Four Male Figures Fighting a Lion

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Design for a Gilt Leather Panel by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Design for a Gilt Leather Panel

Anonymous, Dutch, 17th century (d. 1700)

ca. 1660–70 · Engraving

Cleared · Public Domain

live
The MetSimilar
Design for a Panel with Four Putti Decorating a Herm (Terminal Figure) with Garlands of Fruit and Foliage by Jacob de Wit, The Metropolitan Museum of Art

Design for a Panel with Four Putti Decorating a Herm (Terminal Figure) with Garlands of Fruit and Foliage

Jacob de Wit (d. 1754)

ca. 1720–40 · Red chalk. Inlaid into heavy paper mount with brown and gold framing lines

Cleared · Public Domain

live
The MetSimilar
Design for a Frieze with Putti and Garland (related to the Arc du Carrousel) by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Frieze with Putti and Garland (related to the Arc du Carrousel)

Anonymous, French, 19th century (d. 1900)

ca. 1806–08 · Pen and black ink over graphite

Cleared · Public Domain

live
The MetSimilar
Design for a Frieze with Putti Supporting a Garland, with the inital "N" inside a Wreath (related to the Arc du Carrousel) by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Frieze with Putti Supporting a Garland, with the inital "N" inside a Wreath (related to the Arc du Carrousel)

Anonymous, French, 19th century (d. 1900)

ca. 1806–08 · Pen and black ink over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with Four Overlapping Sections Containing Different Patterns and a Border of Lacework Design

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with Ornamental Design on White, Alternating with an Arch with Four Ovals

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

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