
Dish with IHS Monogram and Floral Pattern
Unrecorded maker
1430–60 · Tin-glazed earthenware
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
486 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 549 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Dish with IHS Monogram and Floral Pattern
Unrecorded maker
1430–60 · Tin-glazed earthenware
Cleared · Public Domain
live
Dish with IHS monogram, armillary sphere, and Portuguese royal arms
Unrecorded maker
ca. 1520–40 · Hard-paste porcelain with underglaze cobalt blue decoration (Jingdezhen ware)
Cleared · Public Domain
live
Design for the Verso of a Pendant with a Vase at Center
Jan Collaert I (d. 1581)
before 1573 · Engraving; first state of two (New Hollstein)
Cleared · Public Domain
live
Design for a Pendant with Cupid
Master P.R.K (d. 1617)
1609 · Engraving and blackwork
Cleared · Public Domain
live
Design for a Pendant with IHS Monogram
Master P.R.K (d. 1617)
1609 · Engraving and blackwork
Cleared · Public Domain
live
Design for a Pendant with the Alphabet
Master P.R.K (d. 1617)
1609 · Engraving and blackwork
Cleared · Public Domain
live
Design for a Pendant Combined with Sirens and Dragonflies
Daniel Mignot (d. 1616)
1616 · Blackwork and Engraving
Cleared · Public Domain
live
Design for a Tabernacle, plate 4 from "Tabernacle"
Franz Xavier Habermann (d. 1796)
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for a Frontispiece Surmounted by the Sacred Monogram IHS
François Boucher (d. 1770)
1770 · Pen and black ink, brush and gray wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Pendant with Diamonds and Blue Enamel
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Pendant with Diamonds, Rubies and Blue Enamel
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a rose window
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Watercolor, gouache, pen and black India ink, and graphite on artist board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.