
Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
860 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21,092 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
live
Priest's Red Cope, Orphrey and Hood
Unrecorded maker
late 1500s - early 1600s · Textile, Cope: damask weave, silk; Orphrey and hood: brocade, silk and silver
Cleared · CC0
live
Design for a Ceiling
Jean Berain (d. 1711)
n.d. · Pen and brown ink with brush and gray wash
Cleared · Public Domain
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Design for a Clock
Jean François Forty (d. 1790)
ca. 1770 · Pen and black and gray ink with brush and gray wash and graphite
Cleared · Public Domain
live
Design for a Pulpit
Louis Gustave Taraval (d. 1794)
18th century · Pen and black ink, brush and brown, gray, and blue washes, over black chalk
Cleared · Public Domain
live
Design for a Pulpit
Louis Gustave Taraval (d. 1794)
18th century · Pen and black ink, brush and brown, gray, and blue washes, over black chalk
Cleared · Public Domain
live
Design for a Regency
William Heath ('Paul Pry') (d. 1840)
July 8, 1830 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Tabernacle
Michael Ostendorfer (d. 1549)
1521 · Woodcut printed from two blocks on two sheets of paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Candlestick
Jacques Androuet Du Cerceau (d. 1585)
1548–49 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Piano
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk, pen and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a plaque
Louis C. Tiffany (d. 1933)
1930 · Watercolor, pen and black ink, and graphite on artist board in original window matt with gold metallic finish
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Skylight
Louis C. Tiffany (d. 1933)
1902–32 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard with window mat
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.