Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi (d. 1587)
1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
623 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
387 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,558 matching records exist across the two collections.
Results for "Design for a Rococo Altar"12 records
Institutions answered newest-first by record, interleaved
Model for an altar
Unrecorded maker
ca. 1700–1730 · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Right Half of a Design for an Altar in Rococo Style
Anonymous, German, South Germany, 18th century (d. 1799)
ca. 1735–50 · Pen and brown ink, brush and gray and red wash
Cleared · Public Domain
liveThe MetSimilar
Design for an Altar, plate 1 from an Untitled Series of Designs for Altars
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for an Altar, plate 2 from an Untitled Series of Designs for Altars
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1750–75 · Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper
Cleared · Public Domain
liveThe MetSimilar
Design for an Altar with a Variant
Anonymous, German, 18th century (d. 1800)
18th century · Graphite, pen and black ink, watercolor
Cleared · Public Domain
liveThe MetSimilar
Rococo Design for a Frame
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown in ink over pencil with gray wash
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elevation and Plan for a Rococo Altar with a Baldachin
Anonymous, French, 18th century (d. 1800)
1730–40 · Pen and ink with colored washes
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Rococo Altar
Johann Gottlieb Thelot (d. 1760)
ca. 1727–60 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Wall of a Library in a late Rococo Style
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Wall of a Library in Rococo Style
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.