
Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer (d. 1584)
1550–84 · Pen and black ink, brush and gray and rose wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
302 ms. The Metropolitan Museum of Art, Collection API (Open Access)
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,131 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer (d. 1584)
1550–84 · Pen and black ink, brush and gray and rose wash
Cleared · Public Domain
live
Design for a Saltcellar with Putti
Anonymous, Italian, 16th century (d. 1600)
16th century · Red chalk
Cleared · Public Domain
live
Design for a Tablet for a Chimney-Piece with Two Swans enclosed within a Cartouche
Thomas Johnson (d. 1778)
1762 · Crayon manner and stipple engraving
Cleared · Public Domain
live
Design for a Cartouche with Two Putti Heads inside a Shell, Atop an Arch
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction (recto); black chalk sketches (verso)
Cleared · Public Domain
live
Design for a Cartouche with a Variant
Carlo Bianconi (d. 1802)
1752–1802 · Pen and black ink
Cleared · Public Domain
live
Design for a Rococo Cartouche with Putti and Monkeys
Clément Pierre Marillier (d. 1808)
1808 · Pen and black ink with brush and gray wash over black chalk underdrawing
Cleared · Public Domain
live
Design for an Urn with Four Putti in Central Cartouche
Anonymous, Italian, early 19th century (d. 1825)
ca. 1810 · Pen and ink with brown and reddish wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cartouche decorated with a pyramidal fountain (Cartouche decoré d'une fontaine en piramide)
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Decorated cartouche (Cartouche decoré)
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Decorated Cartouche (Cartouche decoré)
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Decorated Cartouche (Cartouche Decoré)
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Wall of a Library in Rococo Style
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.