Muse with Violin Screen
Paul Fehér (d. 1990)
1930 · Metalwork, Steel, brass; silver and gold plating, cotton velveteen
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
372 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 73 matching records exist across the two collections.
Results for "Design for a Screen"12 records
Institutions answered newest-first by record, interleaved
Susuki Grass
Unrecorded maker
c. 1525 · Painting, Pair of six-panel folding screens; ink, color, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Gathering of Otsu-e Subjects
Shibata Zeshin (d. 1891)
late 1800s · Painting, Eight-panel folding screen; ink and color on hemp
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cover for a Box
Louis Comfort Tiffany (d. 1933)
1898–1901 · Glass, enamel on copper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Fire Screen with Shell-Matching Game
Unrecorded maker
c. 1870–80 · Furniture and woodwork, Gilt wood frame with embroidered silk gift cover mounted as a panel
Cleared · CC0
liveCleveland Museum of ArtSimilar
Susuki Grass
Unrecorded maker
c. 1525 · Painting, One of a pair of six-panel folding screens; ink, color, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Susuki Grass
Unrecorded maker
c. 1525 · Painting, One of a pair of six-panel folding screens; ink, color, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Scenes from the Tales of Ise
Unrecorded maker
mid-1600s · Painting, Pair of six-panel folding screens; ink, color, and gold on gilded paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cover for a Box
Tiffany Glass & Decorating Company (d. 1902)
c. 1898–1902 · Glass, Favrile glass, enamel on copper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Phoenixes and Paulownia
Tosa Mitsuyoshi (d. 1613)
late 1500s · Painting, One of a pair of six-panel screens; ink, color, and gold on gilded paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Peacocks and Bamboo
Tosa Mitsuyoshi (d. 1613)
late 1500s · Painting, One of a pair of six-panel screens; ink, color, and gold on gilded paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Pheasants in Cherry
Seifū Yohei III (d. 1914)
1900–1914 · Ceramic, Porcelain with molded and carved design, underglaze color, and cream glaze
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.