
Brooch (part of a set)
Unrecorded maker
ca. 1830 · Gold, amethysts
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
987 ms. The Metropolitan Museum of Art, Collection API (Open Access)
395 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 958 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Brooch (part of a set)
Unrecorded maker
ca. 1830 · Gold, amethysts
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brooch
Tiffany & Co. (d. 9999)
ca. 1856 · Oak and gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brooch
Edward A. Tyler (d. 9999)
ca. 1870 · Gold and enamel, with original box
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Half Set (brooch and earrings)
Edward A. Tyler (d. 9999)
ca. 1870 · Gold and enamel, with original box
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Brooch with Diamonds, Rubies and Blue Enamel
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brooch
F. Walter Lawrence (d. 1929)
ca. 1905 · Gold, turquoise, diamonds and pearls
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Enamel Brooch
Unrecorded maker
ca. 1870–1930 · Watercolor, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Glass Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold and Turquoise Brooch
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor, and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold, Diamond and Pearl Brooch
Anonymous, French, 19th century (d. 1900)
ca. 1870–1930 · Watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Set of Matching Gold Brooch and Earring in a Scrapbook with Jewelry Designs in Watercolor and Gouache
Unrecorded maker
ca. 1870–1930 · Graphite and watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Set of Matching Gold, Black Enamel, Diamond, Pearl, and Carmine Stone Brooch and Earring in a Scrapbook with Jewelry Designs in Watercolor and Gouache
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor, and gouache
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.