
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro) (d. 1528)
1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
441 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,451 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro) (d. 1528)
1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer
Cleared · Public Domain
live
Left Half of a Wall Decoration for a Chapel
Francesco Ferrari (d. 1708)
ca. 1690 · Pen, brown ink and wash with touches of blue and green wash, over black chalk
Cleared · Public Domain
live
Design for the Entrance to a Chapel
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink
Cleared · Public Domain
live
Design for a Side Chapel in the Gothic Style, for Adelmorn the Outlaw
John Joseph Holland (d. 1820)
1802 · Graphite
Cleared · Public Domain
live
Design for the North Wing of the Library and Chapel Building at the University of Michigan, Ann Arbor
Alexander Jackson Davis (d. 1892)
1838–39 · Pen and ink over graphite, watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Frame of an Altarpiece for the Tomicki Chapel in Wawel Cathedral, Kraków (Poland)
Georg Pencz (d. 1550)
ca. 1530 · Pen with black and brown ink, brown wash, over black chalk and stylus
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Neo-Gothic Building, probably a Library in New York City
Alexander Jackson Davis (d. 1892)
ca. 1835–40 · Pen and ink, over black chalk, watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seamen's Chapel of the Holy Comforter, for the Hudson River, New York
G. & W. Endicott (d. 1848)
ca. 1847 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gothic Chapel
Charles Marie Bouton (d. 1853)
1853 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with a horse head in a diamond shaped frame, possibly for silver
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with a house and a pond in a locket, possibly for jewelry
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with the head of a side facing person in antique military garb
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite and blind embossing
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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