
Design for a Salt Celler and Two Cups
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Pen and gray and rose ink, brush and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
604 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,096 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Salt Celler and Two Cups
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Pen and gray and rose ink, brush and gray wash
Cleared · Public Domain
live
Design for a Mirrored Cabinet and Two Chairs
Anonymous, British, 19th century (d. 1900)
early 19th century · Pen and ink, brush and wash, watercolor
Cleared · Public Domain
live
Design for a Bookcabinet and Two Pedestals
Anonymous, British, 19th century (d. 1900)
early 19th century · Pen and ink, brush and wash and watercolor, over graphite
Cleared · Public Domain
live
Design for a Sconce and Two Candelabras
Anonymous, French, 19th century (d. 1900)
19th century · Pen and brown ink
Cleared · Public Domain
live
Design for a Gold Earring with Two Buckets and Pulley
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink and watercolor
Cleared · Public Domain
live
Design for a Smithy and Two Cottages
Charles Edward Mallows (d. 1915)
late 19th–early 20th century · Pen and ink, over graphite, with watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Cottages
William Henry Pyne (d. 1843)
1806–7 · Pen lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Cottages
William Henry Pyne (d. 1843)
1806–7 · Pen lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cottage and Village Architecture, No. 1: Two Hundred Designs for Cottages and Villages
Thomas Ustick Walter (d. 1887)
1848 · Illustrations: anastatic prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cottage and Village Architecture, No. 2: Two Hundred Designs for Cottages and Villages
Thomas Ustick Walter (d. 1887)
1848 · Illustrations: anastatic prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cottage and Village Architecture, No. 3: Two Hundred Designs for Cottages and Villages
Thomas Ustick Walter (d. 1887)
1848 · Illustrations: anastatic prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cottage and Village Architecture, No. 4: Two Hundred Designs for Cottages and Villages
Thomas Ustick Walter (d. 1887)
1848 · Illustrations: anastatic prints
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.