Costume Design and Design for a Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and wash; red chalk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
245 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,593 matching records exist across the two collections.
Results for "Design for a Soldier's Costume with a Cu"12 records
Institutions answered newest-first by record, interleaved
Design for a Man's Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink
Cleared · Public Domain
liveThe MetSimilar
Design for a Soldier's Costume with a Cuirass (front and back)
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink with a gray-blue and a light brown wash
Cleared · Public Domain
liveThe MetSimilar
Costume Design for Lady with a Fan
Basil Crage (d. 1900)
1890–99 · Watercolor and metallic paint over graphite
Cleared · Public Domain
liveThe MetSimilar
Design for a theater costume
Anonymous, French, 19th century (d. 1900)
ca. 1920–39 · Graphite with paint on Bristol
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Eunuch in Scheherazade
Léon Bakst (d. 1924)
1912 · Gouache and graphite, heightened with gold paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Butterfly Costume
Sergey Chekhonin (d. 1936)
ca. 1920 · Graphite, gouache, watercolor.
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theater costume design for warrior with a dagger and gun
Pavel Petrovic Froman (d. 1940)
1926 · Graphite, watercolor, brush and black ink, bronze and silver paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Savage
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, graphite, ink, and crayon
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Seller
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold and silver paint, graphite, ink, and crayon
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for a nurse (?)
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for a soldier with a sword
Boris Konstantinovitch Bilinsky (d. 1948)
1915–48 · Brush and black ink, watercolor, and graphite
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.