
Study for a Stage Set
Jacques de Lajoüe (d. 1761)
18th century · Pen and gray ink, brush and gray and colored wash over traces of black chalk and graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
721 ms. The Metropolitan Museum of Art, Collection API (Open Access)
330 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 118 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study for a Stage Set
Jacques de Lajoüe (d. 1761)
18th century · Pen and gray ink, brush and gray and colored wash over traces of black chalk and graphite
Cleared · Public Domain
live
Study for a Stage Set
Jacques de Lajoüe (d. 1761)
18th century · Pen and gray ink, brush and gray and colored wash over traces of black chalk and graphite
Cleared · Public Domain
live
Design for a Stage Set: Casino de St. Etienne
Eugène Cicéri (d. 1890)
1830–90
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stage Costume for a Prince (?)
Jean Berain (d. 1711)
ca. 1680–90 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set Representing the Palace of Apollo, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set Representing the Palace of Perseus, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set Representing the Prison of Amadis, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Plate with the Design for a Stage Set, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set for the Ballet 'Le Donne de Buon Umore’ (The Good Humored Ladies), premiered in Rome, April 12, 1917
Léon Bakst (d. 1924)
1917 · Watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Modes d'Hiver": Cover Design for "Harper's Bazar"
Erté (Romain de Tirtoff) (d. 1990)
1921 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Souvenirs": Cover Design for "Harper's Bazar"
Erté (Romain de Tirtoff) (d. 1990)
1922 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stage set design for "The Mask," George White's Scandals, New York, 1926
Erté (Romain de Tirtoff) (d. 1990)
1926 · Gouache and metallic paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.