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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    307 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Design for a Stained-Glass Window"9 records

Institutions answered newest-first by record, interleaved

Study of Hands by Jean-Auguste-Dominique Ingres, The Cleveland Museum of Art

Study of Hands

Jean-Auguste-Dominique Ingres (d. 1867)

1842 · Drawing, graphite with traces of white heightening on ivory laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Cover for a Box by Louis Comfort Tiffany, The Cleveland Museum of Art

Cover for a Box

Louis Comfort Tiffany (d. 1933)

1898–1901 · Glass, enamel on copper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Cover for a Box by Tiffany Glass & Decorating Company, The Cleveland Museum of Art

Cover for a Box

Tiffany Glass & Decorating Company (d. 1902)

c. 1898–1902 · Glass, Favrile glass, enamel on copper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Turtleback Reading Lamp by Tiffany Glass & Decorating Company, The Cleveland Museum of Art

Turtleback Reading Lamp

Tiffany Glass & Decorating Company (d. 1902)

c. 1895–1902 · Lamp, Favrile glass, bronze

Cleared · CC0

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Cleveland Museum of ArtSimilar
Crucified Christ by an unrecorded maker, The Cleveland Museum of Art

Crucified Christ

Unrecorded maker

c. 1480–1500 · Glass, pot metal, white glass with silver stain (with later composite glass)

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Trinity by Laurent Girardin, The Cleveland Museum of Art

The Trinity

Laurent Girardin (d. 1478)

c. 1460 · Painting, oil on wood

Cleared · CC0

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Cleveland Museum of ArtSimilar
Fortune by John La Farge, The Cleveland Museum of Art

Fortune

John La Farge (d. 1910)

1901 · Drawing, graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar
Sculptress by Eugène Grasset, The Cleveland Museum of Art

Sculptress

Eugène Grasset (d. 1917)

1897 · Print, lithograph with watercolor added by hand

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Resurrection of Christ by John La Farge, The Cleveland Museum of Art

The Resurrection of Christ

John La Farge (d. 1910)

c. 1902 · Drawing, watercolor and gouache; partial framing lines in graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.