
Prudence
Andrea della Robbia (d. 1525)
ca. 1475 · Glazed terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
832 ms. The Metropolitan Museum of Art, Collection API (Open Access)
414 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 787 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Prudence
Andrea della Robbia (d. 1525)
ca. 1475 · Glazed terracotta
Cleared · Public Domain
live
Prudence
Etienne Delaune (d. 1583)
ca. 1550–60, back: 19th century · Chalcedony, mounted in gold with enamel, rubies, emeralds, diamond, and pearl
Cleared · Public Domain
live
Design for a Knife Handle with Personifications of Prudence and Temperance
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Design for a Knife Handle with the Personification of Prudence
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Design for a Wall Tomb with a Variant and a Statue of Christ as Salvator Mundi
Anonymous, Flemish
17th century · Pen and brown ink with red, blue and brown wash
Cleared · Public Domain
live
Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, over black chalk or graphite (recto and verso)
Cleared · Public Domain
live
Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva
Leonardo Marini (d. 1797)
1780–90 · Pen and brown ink, brush with gray, blue, green and pink watercolor, over graphite or lead, on cream laid paper
Cleared · Public Domain
live
Classical Interior with a Statue of Hercules
Jean-Arnaud Raymond (d. 1811)
ca. 1800–1811 · Pen and black ink with watercolor
Cleared · Public Domain
live
Design for an Altar with a Statue of the Virgin and Child.
Anonymous, Italian, 19th century (d. 1900)
ca. 1831 · Pen and brown ink, watercolor, over graphite with some ruled and compass construction
Cleared · Public Domain
live
Design for a Statue of Justice with Sketches at Left and Above
Giuseppe Bernardino Bison (d. 1844)
n.d. · Pen and brown ink, brush and gray wash over traces of black chalk or graphite
Cleared · Public Domain
live
Design for a Statue of Prudence with Sketches at Upper Left Corner
Giuseppe Bernardino Bison (d. 1844)
n.d. · Pen and brown ink, brush and gray wash over traces of black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Altar with a Late Baroque Statue of the Ascension of the Virgin
Claude David
ca. 1690–1720 · Pen and brown ink, gray, rose, and blue wash, with the statue of the assunta in musk and gray-blue ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.