Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    732 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15,308 matching records exist across the two collections.

Results for "Design for a Tabernacle with the Annunci"12 records

Institutions answered newest-first by record, interleaved

Tabernacle frame by del Tasso, The Metropolitan Museum of Art

Tabernacle frame

del Tasso

ca. 1530 · Walnut. Carved, luminolegno.

Cleared · Public Domain

live
The MetSimilar
Architecturally-Shaped Tabernacle with a Saint and Four Putti by Anonymous, The Metropolitan Museum of Art

Architecturally-Shaped Tabernacle with a Saint and Four Putti

Anonymous

ca. 1530–49 · Etching with gray wash

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle by Pierre Puget, The Metropolitan Museum of Art

Design for a Tabernacle

Pierre Puget (d. 1694)

ca. 1650–60 · Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle with the Annunciation by Anonymous, German, 17th century, The Metropolitan Museum of Art

Design for a Tabernacle with the Annunciation

Anonymous, German, 17th century (d. 1700)

17th century · Pen and gray ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Design for Altar Tabernacle by Anonymous, French, 17th century, The Metropolitan Museum of Art

Design for Altar Tabernacle

Anonymous, French, 17th century (d. 1700)

17th century · Pen and brown ink, with black chalk underdrawing

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 1 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 1 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 2 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 2 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 3 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 3 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 4 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 4 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for a Tabernacle

Anonymous, French, 18th century (d. 1800)

18th century · Pen and black ink, pen and gray ink, brush and black wash, brush and gray wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Tabernacle

Michael Ostendorfer (d. 1549)

1521 · Woodcut printed from two blocks on two sheets of paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Tabernacle for the Holy Sacrament

Daniel Hopfer (d. 1536)

ca. 1525 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.