
Design for a Title Page
Anonymous, Italian, late 16th century (d. 1600)
late 16th century · Pen and brown ink, brush with brown and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
556 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22,211 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Title Page
Anonymous, Italian, late 16th century (d. 1600)
late 16th century · Pen and brown ink, brush with brown and gray wash
Cleared · Public Domain
live
Design for a Title Page
Abraham van Diepenbeeck (d. 1675)
17th century · Pen and brown ink, black chalk, brown wash, white gouache; Verso: rubbed with black chalk for transfer.
Cleared · Public Domain
live
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli (d. 1610)
17th century · Pen and brown ink, brush and brown wash, over black chalk (incised for transfer)
Cleared · Public Domain
live
Design for a Title Page
Giovanni Maria Luffoli (Laffoli) (d. 1707)
1665–1707 · Pen and brown ink, over red chalk
Cleared · Public Domain
live
Design for a Frontispiece of a Title Page
Gerard de Lairesse (d. 1711)
n.d. · Brush and gray wash over black chalk; framing lines in brown ink
Cleared · Public Domain
live
Design for a title page
Jean Bernard Toro (d. 1731)
n.d. · Pen and black ink, brush and wash
Cleared · Public Domain
live
Design for a Title Page
Anonymous, German, 18th century (d. 1800)
18th century (?) · Pen and brown and brown-red ink, brush and brown wash; laid down on mount, incised for transfer
Cleared · Public Domain
live
Design for a Title Page
Anonymous, British, 18th century (d. 1800)
1780–1800 · Pen and ink, brush and wash
Cleared · Public Domain
live
Design for a Title Page Sheet Music
Anonymous, German, 19th century (d. 1899)
19th century · Pen and brown ink brush and watercolor over red chalk on green washed paper.
Cleared · Public Domain
live
Design for a Title Page for Sheet Music
Max Klinger (d. 1920)
late 19th–early 20th century · Pen and black ink, brush and gray wash, red gouache, corrected with white; partially incised for transfer; strips added at top and at right
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Title Page
Anonymous, French, 17th century (d. 1700)
17th century · Pen and brown and black ink, brush and gray and brown wash, gold gilt, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Title Page or Illustration dedicated to Christmas Eve
Anton Muttenthaler (d. 1870)
1860–70 · Pen and ink with wash over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.